Sichuan School of Painting and Calligraphy Art (Yi Yuan Art Museum)
Scene 4: Sichuan Painting and Calligraphy(Yi Yuan Art Museum)
Section I. The Marriage Relationship between Chinese Painting and Calligraphy Art and Chinese Garden Art and the Love Chapter
Section II Preface by the Director of Yi Yuan Art Museum
Section III: Dong Weiwei Writes Yi Garden - The Painter's Dreamland
Section IV Yi Yuan Art Museum and Exhibition of Paintings and Calligraphy
Section V Tianfu Famous Artists-Painting in Yi Garden Creation Exhibition
Section VI: Exhibition of Famous Artists' Collections
Peng Xiancheng, a representative of the Tianfu School of Painting, inscribed in the Yi Yuan Museum of Art.
Exterior of Art Museum: Luo Zhewen Shuhan Xinhua Wind Art Museum: Yi Wenqing design
The unique Yi Garden New Han Style Art Museum. It is a typical case of "inheriting Chinese culture and creating classics of the times" and "compatibility between tradition and the times" - Xinhua Wind Traditional New Garden.
Inside the Museum of Fine Arts
YiYuan Art Museum is an important art organization and exhibition place of YiYuan Museum. It will be Sichuan garden art, Sichuan bonsai art organic fusion, interplay, will form the YiYuan unique humanities TianFu a representative cultural and artistic image window.
Section I. The marriage relationship and plot of Chinese painting and calligraphy art and Chinese garden art
Chinese garden is a comprehensive work of art composed of architecture, landscape, flowers and trees, rich in poetry and picturesque, is a concentrated carrier of Chinese philosophy and culture; is the unity of man and nature, in line with the natural hymns; is the three-dimensional landscape scrolls can be seen, can be accessed, can be traveled, can be living; Yi Garden Sichuan garden to learn from the natural gardening concepts and achievements of the industry and outside the experts and scholars have been highly recognized. The famous mountains and rivers in Sichuan and the ancient charm of the human history and customs, not only created a generation of Tianfu school of painting characters, leaving a monumental heirloom paintings, but also funded such as Huang Binhong, Li Qiongjiu, Chen Zizhuang, Li Keran, Fu Baoshi, Lu Yanshao, such as the Chinese modern famous painters and calligraphers. Such as Huang Binhong into the Shu for a long time, climbed Mount Qingcheng, was intoxicated by the beauty of Qingcheng after the rain, and endowed with a poem in seven lines:
Splash of ink in front of a mountain with peaks near and far.
There are a million and one difficult things about the MiB.
Qingcheng is sitting in the rain.
Entering Shu to realize the richness of the painting.
This not only makes Huang Binhong's landscape paintings reach the peak of excellence, but also reveals the significance of the landscape in Shu for Chinese landscape painting today.
Yi Garden Museum of Landscape Art was built to create a cultural and artistic carrier of Shuzhong landscape, human history and the times compatible with the goal: to allow gardens, bonsai, Sichuan Opera and the art of calligraphy and painting to learn from each other and interact, so that the Yi Garden garden art and the Tianfu School of Painting as Jiangnan gardens and the Wu School of Painting as the inextricable, inseparable and close relationship. YiYuan garden art museum to accept the beauty of all, the concept of gardening, will be the north and south of the garden into a furnace, take the northern garden of the atmosphere, the Jiangnan garden of the gas, the Sichuan garden of the gas, thus constituting the YiYuan garden of the spirit. Now it is loved by people from all walks of life and has been approved by many artists.
The goal of Yi Yuan Art Museum is to take the works of the representatives of the contemporary Tianfu School of Painting as the basic exhibition collection, and to provide the representatives of the contemporary Tianfu School of Painting with a place for exchange, exhibition and creation, so as to attract the attention and favor of the nation's outstanding contemporary artists.
Section II. Preface by the Director of Yi Yuan Art Museum
Yi Garden, located in the west of Jinguancheng ancient Jinniu Dam. Thirty years ago, this place is still a low concave crop land. After thirty years of creation, has been from a YiLi new ChuanShi garden art exposition garden to the domestic first LuoZheWen national "XinHuaFeng traditional new garden".From the first privately-run national "Garden Art Museum" to the first national "City Living Museum" in China. It is a comprehensive cultural and tourism exposition park that gathers six theme venues, namely, Sichuan Garden Art Expo, Ancient Shu Jinniu Dam Historical Heritage, Sichuan Bonsai Expo, Tianfu Painting Museum, Sichuan Opera Art Museum, and Han Clothing and Wedding Museum, and combines tangible and intangible cultural heritage and natural heritage into one. It has the "atmosphere" of northern gardens, the "literary atmosphere" of Jiangnan gardens, the "immortal atmosphere" of Ba Shu gardens, and the "spiritual atmosphere" of Yi Yuan gardens. "It is a place where heaven and man can sense and all things can be seen and heard. It is a spiritual home for the induction of heaven and man, the spirit of all things, and the return to nature.
I grew up in the mountains and forests, with a love of landscape, flowers and trees, and since childhood with my father as a carpenter, building ancient buildings. In his youth and adulthood, he loved bonsai, gardens, calligraphy and painting, and thus befriended with its artists, and began to collect bonsai, calligraphy and painting, and make gardens. Among them and calligraphy and painting, calligraphy and painting collection and bonsai collection production has been more than forty years, now can have the opportunity to build in the metropolis of such a national garden art museum, Sichuan bonsai art museum, Tianfu school of painting art museum, really is a great fortune in my life.
Chinese garden is a comprehensive work of art composed of architecture, landscape, flowers and trees, rich in poetry and picturesque, is the concentrated carrier of Chinese philosophy and culture, is the unity of man and nature in accordance with the poem of praise, is within reach, can swim and live in the three-dimensional landscape scrolls.
The ancients said, "the completion of a garden, three parts of the intention of the craftsman, seven parts of the master." It is because the taste of the owner of the garden, determines the total style of the garden. Jiangnan literati private garden, the reason why people can linger, because the garden owner and his friends, most of them are full of elegant people. Even some famous painters and calligraphers directly involved in the construction of the garden, such as Wen Zhengming in the Humble Administrator's Garden, Shitao in the Katashi Mountain House. Their paintings, but also became the garden of the excellent powder this. Therefore, the rise of Jiangnan gardens and the prosperity of the Wu school of painting has an indissoluble marriage relationship. Yi Garden was built so far, the tourists like weaving, all over the famous sages and elegant people, often come here to watch the scenery and sip tea and for the Yi Garden calligraphy and inscriptions, their art for the garden to brighten up. This also accomplished my calligraphy and painting edge.
On the occasion of the twentieth anniversary of the establishment of the Yi Garden Museum. Thanks to the love of people from all walks of life, they recognized the concept of YiYuan's "urban mountains and forests", and gave me a lot of encouragement and support. Therefore, it is fortunate to have frequent contact and exchange opportunities with many famous painters and calligraphers who are also teachers and friends. This in turn creates excellent conditions for my painting and calligraphy collection. Over the past decades, I have been searching for the masterpieces of famous sages and contemporary masters in Shuzhong, and now I have a certain scale. What is more gratifying is that the contemporary famous painting and calligraphy artists Peng Xiancheng, He Yinghui, Mr. Liu Park, in person to the garden sketching and picking up the wind, and with his disciples to complete the [painting in the Yi Garden] of the theme of creation, once again for the Yi Garden greatly add color. Garden for the artist to provide the subject matter of creation and inspiration, and the artist's painting brush, and the beauty of the Garden will be solidified in the rice paper above, passed on to a long time, this is how meaningful things.
YiYuan Art Museum is divided into two major parts: the temporary exhibition hall for theme creation and the rotating exhibition hall for YiYuan collection works. Today, we present to you the first season of "Painting YiYuan" by Tianfu Famous Artists and the second part of "Tianfu Famous Artists' Calligraphy and Painting Collection Exhibition" by YiYuan Collection. The first season: Chen Zizhuang, Feng Jianwu, Li Qiongjiu, Zhang Shiying, Peng Xiancheng, He Yinghui, Liu Pu seven selected works exhibition.
The ancients said, "Academics, the world's public weapon." The art of painting and calligraphy is not like this, so that the flame can be passed on to the next generation. If only to satisfy their own collection of addiction, the excellent works of art and social division, I thought it was unwise. My ability is limited, but also want to make a small contribution to our excellent cultural heritage, so that the pursuit of "Chongwen Hongdao", not in vain. This is my interest, but also the construction of YiYuan Museum and Art Museum of the important reason, my hope and goal is: one day, YiYuan garden art and TianFu school of painting and calligraphy art can be more closely linked together, mutual reference, mutual inspiration, artists can be like the JiangNan gardens and WuMen school of painting as the inalienable marriage relationship, to achieve the common ideals and goals of the artists, and sincere thanks to the various categories of artists and all walks of life of the artists and people of all walks of life to YiYuan We sincerely thank artists of all disciplines and people from all walks of life for their attention, support and experience of Yi Garden.
It is the preface.
Master of Yi Garden Wen Qing
The Golden Autumn in the Year of the Hundred Years
Section III. Dong Weiwei Writes Yi Garden - The Painter's Dreamland
Author: Dong Weiwei, Master of Qizhang Mountain House
Everyone has a home that they can't go back to. The courtyard with tiles and white walls is the original universe of my generation. If the memory will be hereditary, classical architecture always gives a person familiar with the warmth of the long time in the steel jungle, perhaps a moment of indifference, but the soul can eventually sense the silent tremor.
The "Yi Garden" in the west of Jinguancheng is a low-profile garden, while its location is a high-decibel existence. Jinniu Dam for the ancient Shu Royal Court, is the end of the Jinniu Road, but also west out of the Qiang Road, as of the Tang Dynasty, Gao Pian built the city, east of the dam, there is a called "Xihao" artificial river. Xihao north through the upper reaches of the PI River, south of the upper reaches of the South River of the Qingshui River, which stretches between the occasion of the ferry, can pass the big boat. Now the three ring road side of the "Xihao ditch North Street", that is, for its place name on the remains.
To this day, it is difficult to find any trace of the old ruins of "Xihao", but it is not difficult to imagine what kind of scenic beauty it would have been to climb to the west side of the city tower, with the sails swaying under your feet and hundreds of miles of flat farmland in the air, and the Jinniu Dam with its green forests and mountains as a backdrop.
Architecture is the poetics of living, the space it creates is not a container filled with objects, but a dwelling place for the human body and consciousness. Architecture is constructed with earth and wood, while calligraphy and painting are expressed with ink and brush, both of them resorting to specific spaces, which are the same but on different paths. Yiyuan is situated in a strategic location, with wind and water, and the garden is suitable for living and traveling, and its seasonal scenery can be put into poems and paintings. The "Painted Yi Garden" exhibited by a group of teachers and students is a reproduction of the natural beauty of the garden in ink and brush, a pure restoration of the beauty of the garden's craftsmanship under the filter of painting, or a projection of the painter's inner dream?
Ancient carved statues, eye-dotting is the final process. Before the eye-dotting, the statue is just a physical embryo, can be placed with the pile, and once the eye-dotting, the carving attached to the spirit of the god, the see must be respectful, move must bow. Painting Yi Garden" will be the prelude to the upgrading of Yi Garden's "eye-dotting"?
The garden is a place of detachment from the hustle and bustle of the world, which can be a temporary hideout, an occasional shelter, or a private "swaddling clothes" before resting. The garden is not only a paradise given by the dream, but also a place where the dream is enhanced, which allows people to rest their minds and tranquillize the occasion of the release of the body and soul ...... The garden is also the best compromise between man and nature. The mountains and rivers of Xishu have nourished a deep Taoist heritage, and the gardens located in Tianfu, most of them hold the yin and keep the yang, and the size of the pavilions between their platforms and pavilions, the curvature of the straight, high and low, light and dark, the pitch, the virtual reality, the static and the conversion of the day and night, all of which emphasize the gardeners' view of the earth and the sky, and also implies the wisdom of the human being and the all-embracing harmony.
With the spirit of Tianfu, after twenty-four years of Yi Garden is both new and old. Its new, is based on the Shu Qi base, the essence of the North and South of the famous garden, the garden of the ancient precedent; its old, is that its creation is a tribute to the classics, and the wind and rain, moss dipped in the dust stained months and years, the surface effect has been the formation of superposition, even if the head of its messy rough clothing, but also a sunset like the oblique sunlight, low back to the afterglow.
"The Yi Garden is not a monumental garden, and its cultural empowerment can only be self-generated. Once it is deeply integrated with the art of painting, the Yi Garden is no longer a mere experiential space, because imagination is always broader than experience. To this day, no cultural landmark relies solely on its inherent physical experience.
Yi Garden in Painting is a proposition before the brush, which is not only an expansion of the imagery of a specific space on paper, but also an infinite release of the painter's imagination. The brushstrokes, rhymes and colors of the painting may allow people to touch the poetic foundation of the garden space more freely from another dimension.
Life and art are often intertwined. Nevertheless, a true artist does not create as he lives, but lives as he creates. Yi Garden undoubtedly provides an appropriate container for people's memories, and these creators who regard the space of Yi Garden as the old shadow of their homes will have a certain special tone in their paintings. This tone contains a hint of love, which may be able to suspend the passage of time, and lead the viewer back to the house of memory, and place him on the threshold of his dream. ......
This summer, strolling through the Garden of Ease, occasional rhyming lines, I recorded, fortunately, or to help people reverie:
Walking in the west of the city, a clear air passes through the Garden of Ease.
The door covers the Golden Calf Road, and the ridge is along the western trench.
The Han Que is a stone cow, and the Champs are lined with green lotus blossoms.
Lingbo crosses the giant stone, cleaves to the face of the Golden Cicada.
Autumn windows and cloudy mountain ranges are near, and summer nights are filled with stars.
My canal is flooded with spring water, and the ancient ferry is thankful for the distant sails.
The cool moon and the western Qiang drums are accompanied by dreams.
The high pavilion turns around the curved hips, and the breeze brushes the heavy ripples.
The white reed is swept away by the lone man, and the dark cave draws the cold pool.
The awe-inspiring Daffodil Pine, the humble Gentleman's Orchid.
The basin and the ounce are in the sky, and heaven and earth are in the letter.
Yuan Shen Dan Qing ingestion, the Great Dao Law of Nature.
I am happy to be in the realm of the free, and I go to the forests and springs from time to time.
If you can find the right one, why would you want to sleep in Gusu?
July 3, 2019
lit. live in a room with seven zhang mountains
Section IV. Yi Yuan Art Museum and Exhibition of Paintings and Calligraphy
Memorial Exhibition of Zhang Boju, one of the Four Gentlemen of the Republic of China
Section V Tianfu Famous Artists-Painting in Yi Garden Creation Exhibition
Section VI: Exhibition of Famous Artists' Collections
Famous Artists' Collection Exhibition
Li Qiongjiu's masterpiece: "Luding Bridge" from the collection of the museum
Chen Zi Hair Care Collection
Paintings and Calligraphy in the Feng Jian Wu Collection
